NASCAR Nation and television: race-Â�ing whitenessįrom the outset, Flow – the online journal, conferences, and this anthology – has been a collaborative endeavor that has drawn on the commitment, enthusiasm, and intellect of a wonderful and vibrant community.
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Representing the presidency: viral videos, intertextuality, and political participationġ5. Extreme Makeover: Iraq edition – “TV Freedom” and other experiments for “advancing” liberal government in Iraqġ4. Technologies of citizenship: politics, nationality, and contemporary television 11. 49 Up: television, “life-Â�time,” and the mediated self
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Masters of Horror: TV auteurism and the progressive potential of a disreputable genreġ0. “Word of mouth on steroids”: hailing the Millennial media fan The reviews are in: TV critics and the (pre)creation of meaning More “moments of television”: online cult television authorship Industry convergence shows: reality TV and the leisure franchise M isha Kav k a Affective convergence in reality television: a case study in divergence culture TiVoing childhood: time-Â�shifting a generation’s concept of television “It’s just like a mini-Â�mall”: textuality and participatory culture on YouTube Media interfaces, networked media spaces, and the mass customization of everyday space The convergent experience: viewing practices across media forms 2.€Television– Technological innovations. Stems from the online journal, Flow: a critical forum on television and media fulture (Includes bibliographical references and index. Library of Congress Cataloging in Publication Data Flow TV : television in the age of media convergence / edited by Michael Kackman. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
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No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to © 2011 Taylor & Francis All rights reserved. Television in the age of media convergenceĮdited by Michael Kackman, Marnie Binfield, Matthew€Thomas Payne, Allison Perlman, and Bryan€Sebokįirst published 2011 by Routledge 270 Madison Avenue, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2010. Bryan Sebok is Assistant Professor of Media Studies at Lewis and Clark College. Allison Perlman is an Assistant Professor in the Federated Department of History at the New Jersey Institute of Technology and Rutgers University-Newark. Huntemann) of Joystick Soldiers: The Politics of Play in Military Video Games, also published by Routledge. Matthew Thomas Payne is a Media Studies doctoral student in the Department of Radio-Television-Film at the University of Texas at Austin. Marnie Binfield is a doctoral student in Radio-Television-Film at the University of Texas at Austin. He is author of Citizen Spy: Television, Espionage, and Cold War Culture. Michael Kackman is Assistant Professor of Media Studies in the Department of Radio-Television-Film at the University of Texas at Austin. This volume grows out of the critical community formed around the popular online journal Flow: A Critical Forum on Television and Media Culture (). The collection examines television through a range of critical approaches from formal and industrial analysis to critical technology studies, reception studies, political economy, and critiques of television’s transnational flows. In order to make sense of television and new media not just as technical devices, but as social technologies, the essays in this anthology insist we must turn our attention to the social, political, and cultural practices that surround and inform those devices’ use.
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Seeking to frame a new set of concerns for television studies in the 21st century, this collection of all new essays establishes television’s continued importance in a shifting media culture. Flow TV examines television in an age of technological, economic, and cultural convergence. From viral videos on YouTube to mobile television on smart phones and beyond, TV has overflowed its boundaries. If Raymond Williams’ concept of flow challenges the idea of the discrete television text, then convergence destabilizes the notion of television as a discrete object.